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Prepare a résumé: Your résumé should serve as a solid snapshot of who you are, the job you’re applying for, and why you’re qualified to do it.Crew positions are competitive and fill quickly, so while there’s no guarantee you’ll be asked for any or all of the following-and certain things will depend on the department-it never hurts to be prepared. But it can actually be a good thing: Rather than one doorway everyone is trying to get through, there are many you can use to get your foot in.īut before you start going after jobs, it’s a good idea to have a few things in order. If you’re used to following a linear career path, this may feel discouraging. There’s no one clearly defined path to getting your first TV or movie crew job. When principal photography ends, the postproduction professionals get to work editing, adding effects, mixing, and coloring so that the finished product is as close to perfect as possible:īTS “Black Mirror” Credit: Nick Wall/Netflix The minds and bodies behind anything considered risky to someone not trained, this department coordinates, choreographs, and performs stunts:
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Though most visual effects really come to life in postproduction, this department is needed on set to make sure the live-action sequences are shot in a way that allows the VFX to seamlessly integrate: Responsible for the design and procurement of every piece of clothing and accessory work by the cast, from principal talent to extras, as well as dressing actors day-of:Įxactly what it sounds like, this team handles the hair and makeup (and prosthetics and special effects makeup, if necessary) of all the onscreen talent:Īny “effect” that has to take place live-smoke, weather, pyrotechnics-is planned, prepared, and executed by the SFX department: If an actor touches or uses an object (not part of a costume) on set, it’s the responsibility of the prop department: The art department is responsible for ideating and creating the actual look of a production: The ears of a production, this team captures and records everything from dialogue to background noise: Responsible for anything that needs power, this department runs every electrical cable on set:Ī department of one that observes and monitors pretty much everything to ensure every piece of the production puzzle comes together properly: If any piece of electrical equipment (cameras, lights, etc.) needs to be supported or moved during filming, this team handles it: The hands that literally handle the camera, this department prepares and operates the cameras and monitors, and manages footage and media: These are the people responsible for finding the right locations for a shoot, as well as managing the logistics of the location once shooting begins:Īs the name implies, this team provides transportation to and from set for cast members, set elements, props-anything or anyone that needs to be moved: Second-second assistant director (second-second AD).While the director literally calls the shots, the rest of the direction department is on set to make sure operations run smoothly via scheduling, reports, and call sheets:
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The production department handles the actual operations of the project:
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Click through for details including career trajectory, earning potential, and what skills you need for each job. Here is a breakdown of the major crew departments, the most common positions within each, and hierarchies. Not only will this knowledge help inform your future career path, but it’s also extremely useful in understanding how departments work together to make something come to life. While every production is different and the number of people working behind the camera will vary depending on budget, timeframe, and myriad other details, you should be familiar with every job you could find on a film crew. “Daisy Jones & The Six” Credit: Lacey Terrell/Prime Video